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Roger Lucey (born 1954) is a South Africa, journalist, filmmaker, actor, and educator. In the late 1970s and early 1980s his early career as a musician was destroyed by Paul Erasmus of the Security Branch of the South African Police, because the lyrics to Lucey's were considered a threat to the Apartheid State. Although already aware of his anti-apartheid songs, the South African Government's security apparatus only swung into action to destroy Lucey's career after he performed a radical song in a programme on Voice of America radio. The criminal methods used against Lucey formed part of the testimony given by Paul Erasmus in front of the South African Truth and Reconciliation Commission.
Lucey started as a playing acoustic guitar and singing covers and his own songs with a very gravelly voice. He started performing in Durban's coffee bars but did not, however, distance himself from political issues such as Alan Jeffrey, Steve Newman, the Kitchen Brothers and Jan Hofmeyer. His musical style focused on rock 'n roll fused with blues, jazz and kwela. Lucey can be regarded as an "activist-performing" through his political songs, who believed in the anti-apartheid movement. Despite this, he did not join a political group or become an official spokesperson for any group. Moreover, when performing live he was oftentimes accompanied by a three-man band called the Zub Zub Marauders with Lucey himself playing guitar and singing. In addition to Lucey, the group consists of Ilne Hofmeyr, Tich James and Jonny Blundell.
During the 1970s, Roger Lucey performed his political songs throughout the Johannesburg circuit also performing in bigger venues such as His Majesty's Theatre and the Market Theatre. He gained widespread popularity through live performances but also through the release of his albums The Road is Much Longer (1979) and Half Alive (1980). He also received publicity through the press and an interview for a radio programme by Voice of America that played his political songs. However, Lucey also received unwanted attention in the form of the South African Police after the interview had aired.
The police set up a variety of measures into silencing Roger Lucey's message led by Paul Erasmus. Drewett stated that "these included attending and recording Lucey’ shows (later to be transcribed), raiding his house, interrogating him, bugging his telephone, intercepting his post, and monitoring press reports about Lucey." Letters he obtained of invitations to and clubs were destroyed and news regarding forthcoming performances were used to threaten venue owners. After the release of his records, they were confiscated from the independent stores and by 1974 with the passing of the Publications Act, censorship of Lucey grew harsher. A Directorate of Publications were set up through the law, which banned subsequently Lucey's The Road is Much Longer (1979). This, however debilitating, did not stop Lucey from recording and performing his music.
Roger Lucey also wrote the protest song "Lungile Thabalza" (1979), which was also subjected to banning by the Directorate of Publications. The song discusses an activist who died in police custody. Lucey, along with Jennifer Ferguson, the Warrick Sony and the Cherry Faced Lurchers, among others, contributed songs to Shifty Records' Forces Favourites, which was a support to the End Conscription Campaign. Lucey also wrote songs such as "You only need say nothing" (1979) and "The boys are in town" (1980) that commented on the South African Border War. Roger Lucey also toured internationally to countries such as England, United States, Botswana and Namibia, among others.
Roger Lucey formed part of a group that offered an alternative to apartheid hegemony alongside James Phillips, the Kalahari Surfers, Juluka, Savuka, Bright Blue, Mzwakhe Mbuli, Bayete, and Stimela.
Roger Lucey's book, Back in From the Anger, was published in 2012 by Jacana Media. It recounts his experience as a young musician in South Africa during the 1970s and 1980s.Roger Lucey, Back in From the Anger. Jacana Media, 2012
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